The climax is elevated to great heights as Aishwarya delivers the film's real message at the most appropriate moment in the screenplay. One among the many memorable directorial touches is the bearded villager who refuses to clap for artificial situations and pays off in the climax. One more novel aspect is the way Aishwarya Rajesh's character gets inspired in her goals in various stages by multiple people around her including her mother, father, the boys with whom she plays cricket, Sivakarthikeyan, a teammate and situations in her life. The brilliance in the filmmaking is the manner in which Arunraja ticks all the plot points of the sports drama and at the same time deal with the much larger issue of the farmer's plight. What makes 'Kanaa' work big time is the solid writing which makes the progress of the woman cricketer as natural as possible.
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Sivakarthikeyan in an extended cameo apparently inspired by Indian cricketer Saba Karim and Proteas star Mark Boucher makes his mark without calling on too much attention to his star persona which is a huge plus for the film's commercial as well as artistic qualities.
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Ilavarasu, Muniskanth, the gang of boys who first help Aishwarya play cricket, the professional cricketers have all given their best under the able direction of Arunraja Kamaraj. The little girl who plays the younger version of Aishwarya Rajesh too deserves a pat on her back for putting in equal efforts with her splendid bowling action and that glint in her eyes. Darshan as the romantic interest of Aishwarya's character is not only pivotal to the rise of the heroine but also provides the much needed comic relief in the screenplay. Rama has given a superlative performance as the foul-mouthed mother and her harsh but well-meaning interactions with Aishwarya make for some of the best scenes in the film. Sathyaraj as the farmer heading towards bankruptcy is brilliantly cast and while he shines in every frame the one standout moment is his emoting when his daughter calls him to inform him of getting to play for India but he is in the worst possible position. Aishwarya's hands are going to get sore again handling awards statutes instead of cricket balls early next year. She is outstanding in expressing the soft natured relationship with her dad Sathyaraj and the turbulent one with her mom (Rama). Especially remarkable is the cricketing skills that Aishu has trained hard to perfect that she never seems out of place among professional cricketers both Indian and Australian in the film. We saw her convince us as the mother of preteen boys and this time the never-fails to amaze Aishwarya Rajesh pulls off her character growth from a tenth standard girl to a team India cricketer as if it's just another walk in the park. How this village girl breaks the barriers of gender, economic background, and the society to achieve her dream forms the rest of the screenplay which tackles a much bigger issue than the obvious. In one of the matches when India loses the little girl sees her father in tears and starts growing an ambition to become an Indian cricketer and win games to make her father happy. Koushika Murugesan (Aishwarya Rajesh) is the only daughter of a farmer Murugesan (Sathyaraj) who is passionate about cricket.
It is a majestic debut for the multitalented Arunraja who manages the difficult task of embedding a strong relevant message in an entertaining sports drama.
Arunraja Kamaraj known for his acting, lyric writing and singing debuts as writer-director of 'Kanaa' produced by his good friend Sivakarthikeyan.